第二章 佐藤康光の孤高の脳——棋聖戦観戦記 Yasumitsu Sato's Brain is the Lofty Apex, Commnetary of Kisei-title match
桂の佐藤棋聖、銀の羽生挑戦者／Comparing Kisei Sato to Knight and Challenger Habu to Silver
The event took place at Takashimaya in Niigata-shi, and at nine am on eleventh June 2008 (Game Record).
Yoshiharu Habu (Oshox, holding two titles) was challenging the defending title holder of the seventy ninth Kisei-senx, Yasumitsu Sato ( Kiox, holding two titles).
To place myself in the same scene, to view, and to report the fierce match of these top players of the world of shogi, I have flown to Japan from Silicon Valley. The trip to Japan this time was only for this purpose. I now have been away from Japan for fourteen years, but this time was my first returning back to Japan for purposes unrelated to business.
It is about six months ago from when Sato Kiseix has asked me, "please come to see us in this year's Kisei-sen, and write an online report of the game played of shogi." He said to me after an interview with Sankei Newspaper, an interview to be printed in their New Year's day issue. He seemed to be relieved from any tension from the interview.
I certainly have an attachment and love for shogi and I am confident in saying of possessing passion for watching games as a viewer. However, since I have been away from playing shogi for over twenty years, my ability to play it seems to be somewhat opposite from being confident. It may be now of the level of an amateur 1 dan. After hearing the offer from Sato, what was in my mind was, considering my position in shogi, if I were at all qualified to be at the same scene of such a prestigious event.
Though, suddenly, I realized that there may be unexpectedly many people like me. That is, people who like watching but not a frequent player themselves.
The stunning culture of shogi, I see it as one that has deeply rooted itself in the society and the minds of the Japanese. While at the ages of elementary and junior schools, there are many that has been attracted to shogi from it's enjoyment playing. I fit in this group.
However, not many continue to play well into their adulthood. Although some enter shogi clubs at their high schools and college, public shogi clubs and shogi dojosx, or even subscribe to the Shogi Club 24 on the internet to keep on improving their skills and techniques, many are drawn away from shogi from their lack of time, ending up as general viewers. The truth is, there are many underlying fans of shogi who passionately follow closely to the professional players, however unseen they seem to be.
There are evidence to supports this. The viewing figures of both the popular TV program Professional - Methods of professionalism (Shigoto no Ryuugi), in the episode where Habu has appeared, and of Passionate Continent (Jonetsu Tairiku) in the episode where Sato has appeared, has been recorded higher than usual. In the case of the former, it has recorded viewing ratings of the highest in the history of the program.
I had made clear in my mind that the next time my old friend Habu was to play against Sato in the setting of the Kisei-sen, I would withhold all my business offers and come to Japan to represent for the enormous group of underlying shogi fans who still hold passionate about the game of shogi regardless of their busy lives. I had pledged to take this opportunity if it arose to watch the match in Japan. And just as I had consolidated my decisions, this opportunity arose. Today, Habu has won the right to challenge Sato.
Just a few days earlier, I have received a message from a reader of my blog who teaches at Rwanda. The message read, if stories on shogi were publicized on the web, it could potentially deliver some value to people who not only reside in Japan, but to people across the globe who are passionately attached to shogi but busying themselves with everyday work. Many of the fans may return back to realize how much they loved shogi. In the hope of such, I am fully devoting myself in to writing a real-time record of the games of shogi.
"Is not shogi hard to understand?", "Shogi requires specific knowledge, no?", were views towards shogi when compared with, say, sports. Presumably, they perceive the threshold of entry to shogi fairly high. Shogi is a difficult game to play and it is understandable why such comments arise. However, to enjoy watching the game, is not at all difficult.
To "watch and enjoy" shogi, does not require any hard skills nor ability to play the game well. When fans watch a professional baseball match, they often shout, "he shouldn't have gone for that ball!" or "That was an easy one to catch!" In the case of soccer, "Not the guy to pass. The right was free!" It is quite usual to hear these comments while watching games. My suggestion is to do the same while watching a shogi game. People do shout "That was an easy one!", though if they were to be put in the same situation as the players, it is unlikely that they will be able to do what they initially shouted towards the player on the field. Same applies to people who shout out "you should've scored that one!" I want viewers and spectators to enjoy watching shogi games with equally irresponsible commentary.
These are the words of Akira Watanabe, the leader of the younger generations of shogi - Intellectual duels (Zuno Shobu), (Chikuma Shinsho).
I truly agree with the words of him.
For the future of shogi to flourish, it is an requirement to increase the number of fans who "does not play" and "who can extract enjoyment without having to actually play shogi well." Those fans ought to appear on surface and been seen. Consciousness to these problems are seen more in younger generations of shogi players, such as Akira Watanabe, who must carry a long-term outlook for the future of themselves and shogi as a whole, than do the Veteran players. I would like to contribute in giving support to them however small in magnitude.
In a single game of shogi, there is "unlimited spread and depth." I would like for the stunning game of the fascinating intellectual sport of shogi to be enjoyed, not only by the competent core fans who may be able to take in all depths, but to be enjoyed more casually by people as they do so for their weekly Sunday family baseball games. I wish sincerely for the fans to discover more diverse ways in enjoying watching shogi games.
During the morning of last Saturday, as I was preparing to depart to Japan, I was reading through the articles written by Habu and Sato at home until the final hours. The words that I encountered during then was as below.
In my case, according to a person who analyzed the statistics, I tend to use my Silver（銀） most frequently in my games. If asked what I think I use the most, I would agree with the person. After constructing a castle and in transition to the phase of developing my offensive strategy, Silver（銀） functions somewhat like a "glue" to stick together each turn to make a sequence of movements. In making a successful sequence of these movements, ample amount of "glue" must be applied. While positioning my pieces, I often try to construct the best of these sequences, and hence, Silver（銀） is used more often than other pieces in my games. - Brain of future outlook (Saki wo yomu zunou) (Sinchosha).
While talking to him I often feel that Habu is an expert of making abstract of anything, picking up common properties and putting them in words. He has represented Silver（銀） as a "glue" to connect each turn to make the whole sequence.
Even while being driven to San Francisco by my wife, I happened to be thinking which piece for Sato is the equivalent to the Silver（銀） for Habu. Strike while the iron is hot. As these words suggest, I connected my laptop to the internet from the lounge at the San Francisco Airport. And before rushing to the departure gate, I have sent an email asking the question to Sato. My expectations of receiving a clever reply was high since Sato has much appreciation for his fans.
After almost half a day, just as I was checking-in at a hotel in Tokyo, I have received an email from him.
Thank you for your email. For an answer to your question, that piece for me will be Knight（桂）.
The piece possesses movements that are very unique and unexpected and also it requires the greatest attention and I feel I must be most careful in positioning it.
No player has a choice but to use the King（玉）, Rook（飛）, Bishop（角）, 金 and Silver（銀）, and for Lance(香）, it is very difficult to use it well. It is often left at the position where it is. Pawn（歩） has the highest frequency of usage, and it is the most difficult piece to be played in the professional level. However, Knight（桂）, can be moved or left rooted to one place according to the players will (It could be how much the player is in favour of this piece).
Nevertheless, moving this forcibly may result in adverse consequences due to its characteristics of being vulnerable on the head (頭が丸い) hence being targeted by the opponent. In fact I often encounter such cases, however, in attempt to deliberately use my Knight（桂） I often design a whole game of shogi in such a way.（将棋の創りをそうする） (In using the Ibisha [Static Rook] strategy, the trigger piece of the right-hand side Knight（桂） is often targeted.)
Above all, there are situations or strategies where Knight（桂） does not even come in to consideration of moving from the position where it already is, or where it is better not to move, therefore the decision at such points in the game is crucial. Considering all of this, however, I seem to use the Knight（桂） more often.
One suggestions to "fans who cannot play well" or "non-playing fans," is to observe the transition of today's "match of the century," particularly paying attention whether Habu uses his Silver（銀） as the "glue that structures the sequence" and whether Sato uses his Knight（桂） "deliberately" in his game in his strategies. This is just an example.
Whether to read writings on shogi, or to watch a shogi game, it is up to us, each and every shogi fan, to decide what to do and how to enjoy.
The time is now 8:40 am and the game is about to start. I entered in to the playing room and waited for Kisei Sato and challenger Habu. Wearing a dark navy coloured kimono, Kisei Sato steadily entered the room. He has sat down at the head-side of the table. He has placed his sensux (a Japanese light folding fan), handkerchief and his clock around him, he closes his eyes and keeps calm and still. Three minutes or so later, Habu enters the room swiftly wearing vivid pale yellow coloured kimono. The dark navy and the pale yellow, seems as if flowers just bloomed in the room. At the side of both players are bottles of water and tea and a thermos bottle of coarse tea. Only on Kisei Sato's side, are three bottles of Perrier and a pack of vegetable juice (Vegetable life, Yasai Seikatsu manufactured by Kagome) which he probably requested in advance.
As Habu places his sensu in front of the zabutonx (a Japanese cushion for sitting), the two bowed to each other, and without making any sound, they started placing their shogi pieces on to the board for the game to begin.
What could be the reason to why Sato and Habu have always presented themselves at the summit. I have been seeking the answer to the question every time I meet the two privately. The answer that I can put forward to it now is because of the degree of their immense passion toward shogi that could even seem an obsession, degree of devotion, and attachment and fascination to the depth of shogi, has been present at an extraordinary level. That could be the answer to surpass other geniuses in the field.
During the New Year's interview with Sato, he said,
"Shogi definitely is a game created by someone, but I sometimes think it is a game created by god."
The game that has been analysed even with a timespan of over six hundred years by many predecessors, who have devoted their minds and soul, the mystery of the game shogi has yet to be uncovered. Could such a game with the degree of sophistication and depth of fascination, be created by the hands of human? I cannot help to believe that it is created by the "hands of god." The words of Sato holds such meanings.
When Sato talks about his life and shogi, he sometimes say, "why has such a game (shogi) been brought to this world?" Since he has been deeply fascinated by shogi thirty years ago, I think these words come from the underlying truth of his feelings.
Same with Habu.
One time while having a meal with Habu, we conversed about taking very long times thinking on a position in middle-games. The conversation extended to the topic where in one incident Habu, after a long and a hard think in the middle game, swiftly took victory after that.
One person on the same table said, "You must have seen all the hands and the victory ahead at the time when you were in a hard and long think during the middle-game." It was then when Habu suddenly changed his look on his face. I remember the scene clearly since even some fear crept into my mind looking at him then.
Habu is capable of detecting misconception to the "depths of shogi," how subtle it may be, when any arises in conversations (even of those that praises himself). With his slightly high-pitched voice, but with a firm and concrete tone, he said,
"It is in all cases impossible to foresee all the different strategies and hands, and be convinced of the victory, at any point in the middle-game. Shogi is not as simple and straight-forward as that."
Habu emphasized this point.
Looking back to the history of research done into the various strategies of shogi, he stressed that not even one ultimate understanding of strategies emerged even with considerable amount of time of few decades, due to its depth and complexity. He presented this in a manner very considerate and detailed so to be comprehensible to amateuers, and with his mindset that it is not affordable to (これだけは譲れないことなんだ、という強い意志をもって). He delivered this talk taking fifteen or twenty minutes talking about this as if he was obsessed with this idea.
The above is a scene that emerged from my memory, while staring at the two dignified postures of the two players in the room.
The first game of the Kisei title match has begun.
Kisei title match takes the structure of the "best of five match."
At the start of the first game, and in the case where wins are even after four games, the player of the first move is decided by a toss of five pawns（振り駒）.
Jo Tajima 3-dan (Shoreikai), the game-record keeper of the game, taking five of Sato's Pawn（歩）, has tossed them in the air after a shuffle in his hands, and let them land on a white piece of silk cloth.
With four "(と金) Tokins" and a single Pawn（歩）, Habu, the challenger, was to take the first move.
Shortly after, with announcement by Osamu Nakamura, an official observer, the game has begun with the challenger Habu's move of P-7f, opening his Bishop diagonal line. Instantly, flashes from cameras of photographers filled the room. Following this was P-8d, a move by Sato after a brief think.
Today could be a game of Yagura Opening, I thought.
However, Habu has acted to this not by S-6h which would lead to Yagura Opening, but with P-2f advancing the Rook Pawn. "I won't play Yagura Opening. But a shogi of Kakugawari (Bishop Exchange)."
Behind the first three moves of above, underlies such meanings. Thus today's game started with a Kakugawari (Bishop Exchange) with a hand-loss to the Gote (Second mover).
In Kisei title match, with time allocation of four hours to each player, the pace of the game tends to be faster, swiftly exchanging turns from the start, as soon as strategies (戦型) are decided. With only twenty minutes into the game, there has been seventeen turns already consumed. The game seems to unfold to an Hayaguri-gin(quick manipulated Silver) by the Sente (First mover) of challenger Habu.
The game proved to be one that will require keeping an eye on the Silver（銀） of Habu already. With nineteen turns into the game, the Silver（銀） of Habu has already advanced to 4f.
羽生挑戦者「秘策」に誘導か／Is Challenger Habu Guiding Sato to the senario position in his mind?
If I confess the truth, components of the last entry posted entitled "Comparing Kisei Sato to Knight and Challenger Habu to Silver" has been prepared in advance from half past 4 in the morning. In addition to this, I have spent the thirty minutes from 8:40 am to 9:10 am observing the atmosphere of the playing room, before returning to the common room where I have written additions of new texts at once and combined them with the previously prepared components from earlier. The entry was posted briefly before half past nine after deciding on an appropriate structure and reviewing the whole text.
After this entry, I returned to the playing room.
It was just when Habu stood up from his seat after confirming the twenty-fourth move of P-8e played by Kisei Sato,
The game that has been flowing seamlessly from the beginning, has, for the first time, paused after twenty four moves.
For an hour from this point onwards, I have put myself in the same room, at the same place where both of the players continued to ceaselessly think for their hands. It was during this time when I had only understood the meaning of a remark made by Habu in the past.
He has once told me something that was really unexpected.
"This may occur to you as a surprise, but, shogi, in fact, does not require fighting spirit. It is completely unnecessary for one to put themselves in a mindset so to defeat the opponent."
I asked him, "Why is that so?", and his reply was that a game of shogi constitutes of sequence of each player moving a piece at a time. Once a move is made by one player, total control of the board is passed on to the another.
"At which point, there is nothing you can do about to affect anything on the board. It is similar to saying, please do whatever you will. Shall I put it as 'depending on the other player（他力本願）.'"
Although, since I am only relying on my memory, the above may proved to be slightly off from true interpretation, however, I could not wholly understand what those words were meaning at the time of first encounter.
All been said, during the morning today, placing myself in the immense pressure of condensed flow of time, whereby each player takes ten to fifteen minutes per hand, it seemed as though the true meaning behind the words, 'depending on the other player（他力）,' of Habu was appearing in front of me.
In fact, only five moves were played in the hour commencing 9:37am. It went like P-2d Px2d P-3d S-2b Rx2d.(▲２四歩, △同歩, ▲３四歩, △２二銀, and ▲２四飛.)
On the twenty ninth move of Rx2d, of challenger Habu, he has spent seventeen minutes. Seven minutes past in the same turn, he has made an sound, "Hya-". Eight minutes later, he made yet another loud sound by growling while Kisei Sato was away.
It resembled of a person who just appeared on surface of water after holding their breath for some while. It was a sound composed subconsciously uprising on return from extreme concentration.
Returning to the common room, the main discussion taking place here was that, at this instance, the positions of the pieces were exactly same as the game of Oui-sen challenger deciding White Leagueplayed by 6-dan Takayuki Yamasaki(Sente) and Kisei Yasumitsu Sato (Gote), three years ago, on 12th May, 2005. Three years back, Kisei Sato has made the move of P*2e. Just as anticipated, after Twenty one minutes of consideration on the move, the move he made was P*2e (30th move), the same move he made three years ago.
In my PC, there are 14,567 records of past games in chronological order. The exact game of above was present when searched through the records (by the way, Kisei Sato had won on the 90th move). I have returned to the playing room after memorizing the subsequent ten moves that had been played at that time.
In contrast to the past hour without hardly any moves, the exchange of turns occurred rapidly alike successive processes of reactions, with moves from the 31st move, Rx2e B*3f R-2f Bx4g+ B*3h +B-1d P-1f (▲同飛、△３六角、▲２六飛、△４七角成、▲３八角、△１四馬、▲１六歩) been played to the thirty seventh move. This succession was identical to the Yamasaki-Sato game.
The strategy of Gote's Itteson Kakugawari (Bishop Exchange losing a move, 後手一手損角換わり戦法) is the latest strategy of modern shogi. Progress in advancement and development of this has occurred constantly, within time frames of days and months, or even this second may have resulted in some progress. Yet, challenger Habu seems to be guiding his opponent to this scenario position (局面), that has not appeared in the past 3 years since the Yamasaki-Sato game.
Apologies in introducing a jargon from my profession of IT and the web, but we often come across the word "Dog year." The sense is that since lifespan of dogs roughly are of a seventh of what us humans' may live on, it represents the rapid change in the state of the world at speeds of seven times the pace of norm. In the world of shogi, however, that speed of development is accelerated. Three years in time, of such world, is a long way back in the past.
Are the two players, even aware of the fact that they are re-creating the game of Yamasaki - Sato. Or are they deliberately tracing the paths played in the past. Has challenger Habu guided Kisei Sato, having devised of a strategy in which could enlighten the future of shogi position derived from a game played and won by his current opponent three years ago. If there is any chance, I am willing to ask these questions to both of the players.
Kisei Sato stopped his hands now, and started thinking uninterruptedly. Occasionally, Kisei Sato will ask 3-dan Jo Tajima, the game-record keeper, "How many minutes have I used, in total?" Without any delay he answers "You have used one hour and a minute," "You have used one hour and eleven minute", in a precise and a clear tone.
Kisei Sato in the New Year's interview with me, said,
In shogi, it is difficult to tell where the decisive moment lies. It is commonly conceived that this is towards the end of the game. In a situation whether to mate or not. Understandably, if any slips are made at this stage, the defeat is confirmed.
However, in playing against a professional player, the margin is so miniscule, it is unpredictable where this decisive moment lies. There are games where this moment comes completely out of surprise, but in others, the turnaround in the dominance of the game could be unnoticed while the game continues. This can occur during the first twenty moves or in the very last stage of moments before admitting defeat.
To anticipate these moments, acute senses are necessary. Opportunities cannot be seized without this. The result of finely honed senses of both players, and abilities of them to overcome critical moments, is a masterpiece-on-the-board. There may be a slight difference from saying there is tension building up between the two, but a sense of that kind creates the foundation of a masterpiece.
I stared at Kisei Sato as I imagined that he must be fully using his acute senses thinking that this is the decisive moment.
Fifteen minutes before the lunch interval, Kisei Sato has made a move of S-4e (38th move) after thirty minutes of uninterrupted thinking. This move still follows the Yamasaki-Sato game. The challenger Habu, looking at this move, nodded heavily. Kisei Sato, on the other hand, intensely coughing, stood up and headed for the bathroom.
What a dense flow of time, an intense atmosphere filling this space.
During challenger Habu pondering on the thirty ninth move, Tajima 3-dan announced the interval.
"Ah, Yes" was Habu's response, with his slightly high-pitched voice, and stood up straightaway. After some while, Kisei Sato also stood up from his seat to return to his own room, though climbing the wrong stairs he came back down hitting his own head before stumbling into the wall of the inn, tottering slightly as he walked. He seemed to be suffering from extreme strain.
What could be the first move to be made by challenger Habu after the interval. The next move from Yamasaki-Sato game was P-1e (39th move).
未踏領域に突入、「均衡の美」をタイトル保持者が解説／Entering an Untrampled Area. A Title Holder's Explanation about The Beauty of Balance.
With the thirty ninth move of B-2g played by Habu shortly after the lunch break, this shogi has entered a completely untrodden area. Is this move the one Habu had prepared?
I would like to publish today’s third article (on the half portion of the afternoon match) from the waiting room.
Ryuoh Akira Watanabe has arrived Takashimaya past noon to study the match for the commentary in a weekend program Igo, Shogi Journal.
In addition to him, Oi Koichi Fukaura and 4-dan Yusuke Toyama, whom I get along very well, heard my story about this real-time commentary and came all the way down to Niigata, saying "well then, I shall give you commentaries on the spot!" I suppose they cared about me. I really appreciate it.
As a result, except for Meijin Toshiyuki Moriuch, all the other title holders (six titles with the two players, Ryuoh and Oi) have gathered here.
The examination in the waiting room is being largely made by talkative Ryuoh Watanabe, who slumped himself in front of the shogi board.
From the fortieth move to forty sixth, it smoothly proceeded as predicted by Ryuoh Watanabe, who said "there is nothing much to think here. It will proceed like this; P-1e P*2e R-1f +B-2c P*2d +B-1b." But when the screen showed Habu’s forty seventh move of S-7g, a great cheer arose in the waiting room.
They were impressed by Habu’s battle tactics of investing one move to his castle here (freeing up the Wall Silver), and giving the turn to the opponent.
[The forty seventh move ▲S-7g]
Here Kisei Sato entered into a long ponder, and played the next move of K-4b after forty two minutes.
"I did not think of this move even for a second!," shouted Ryuoh Watanabe.
"It is a very unusual move. I wonder if this was the Sato style. I assume even Habu-san did not think of this move for a second." (Ryuoh Watanabe)
And Habu also made a move of K-7i to adjust his castle. Kisei Sato responded with G-5b … "It is the lull before the storm." Said 4-dan Toyama.
It is half past two p.m. now.
I was seated next to Kisei Sato in the dine last night. When I asked him "will the climax be between 4 and 5 p.m. tomorrow?" he answered "I would like to avoid falling into an uncontrollable situation between 2 and 3 p.m. Were it to become a good shogi, I assume the climax would be between four and five p.m."
It is half past two p.m. now. The situation is evenly balanced. "Beauty of balance" is without doubt maintained.
Here, I would like to introduce the impressions on this match so far by Oi Fukaura and 4-dan Toyama.
Oi Fukaura: I arrived at the playing room after a lunch break. My first impression of the situation is that they have chosen a shogi with ample strategies available for each. In other words, there are many choices. By which I mean that this shogi is not a psychological battle which drives you onto the edge, but is where you must choose only one move from several good moves. There are usually two or three possible moves in the middle stage, but I can easily come up with three or four in this shogi. The existence of this one more move makes it a completely different world. These shogi will surely entertain the players in terms of reading and at the same require their sense of shogi. Therefore I assume that the players are playing this shogi with good tension（緊張感）, which also means that viewers can also enjoy the characteristics of the two to a great extent. The decisive point of this match is, I would say, whether…
4-dan Toyama: I arrived at the playing room before a lunch break since I woke up early this morning, only to become surprised to find out how much the situation had proceeded in the morning. I would assume that they had been to some degree on the same wavelength, which we cannot possibly tell. Getting back to their castles together after entering into hostilities shows that they are masters on the same wavelength. It is in the situation of the fiftieth move of G-5b, but I think this is a type of shogi where taking action would lose balance. Taking their playing style into account, there is great likelihood that it is Sato who will take action. It is a position which demands skills. The current situation is very well balanced and beautiful.
「孤高の脳」が生む無限の広がり／An infinite of possibility of moves generated by Sato's Brain of Lofty apex
After the fiftieth move of G-5b was played, Habu sank into a long ponder. After fifty minutes of careful consideration, he picked up the Bishop on 2g, and moved it to 3h. It is now Kisei Sato's turn to go down into a lengthy ponder.
It is 3:30 p.m. Kisei Sato asks 3-dan Tajima, the scorer, "how much is remaining?" "There is one hour and twelve minutes left."
I went back to the waiting room, and sat down in front of my PC, rousing myself to draw up another article.
Kisei Sato, after a further consideration, played S-3d (at the fifty second move) at 3:52 p.m.
"The time has finally come for the decisive battle" so cheered up everyone in the waiting room. It was based on the expectation that the Sente would fiercely attack were it to go with R-3f and S-3c.
However it proceeded with the fifty third move of R-3f and the fifty forth, S-4e, with almost no time spent. The judgement from the waiting room is that Kisei Sato might choose S-4e instead of S-3c, anticipating that the situation where the defensive development after S-3c would not be desirable.
After a long period of ponder, Habu just played R-6f. It is 4:15 p.m now. People in the waiting room are starting to say that Habu might be slightly advantageous (B-3h might be a good move). I wonder what is really happening.
The maverick brain.
Watching the two players, I came up with such a word.
[The fifty fifth move ▲R-6f]
Ryuoh Watanabe, occupying a space in the waiting room, wrote something as follows in his blog a while ago.
It is surely a fun to discuss the moves in a title match, but as I am certain that our read cannot better the read of the players, who are much more serious and concentrated, I sometimes feel vanity in doing so. The moves played when I am in a real match, where there exists fear of "losing," and when I am merely watching a match are considerably different. Therefore, even though we might detect some better moves than the ones actually played in a match, it would not have any significant meaning. (Akira Watanabe's blog, 28th March, 2008)
Moving back and forth between the playing room and the waiting room, I cannot help but be again impressed by "the maverick brains" of the players, who only trust their own brain and ponder about the best possible move under everyone’s views.
I always daydream the existence of a book, which has exhaustively written up all the "infinite expansion" of a match. What would it be like if it was possible to write everything the two players have thought throughout a match?
"Would it make around a hundred volumes of thick encyclopedia?"
I once asked Kisei Sato.
"I would assume so. It would amount to that degree of massiveness."
Answered Kisei Sato, as if it were the most natural thing in the world.
Of course it would be still impossible to explain a match even with a hundred volumes of encyclopedia. But I wish someday I would be able to read a long long commentary on a supreme shogi, which could only be written by professionals.
Watching "maverick brains" in the playing room, I was lost in such
「真理」を探求する対局者、終局後の「至福の時間」 The Happiest Time for Both Players to Quest for the Truth after the Game
It is 5:00 p.m. After publishing the fourth article, I entered into the playing room. Kisei Sato was pondering his move for the sixty sixth moves. There is thirty three minutes remaining for Kisei Sato. Challenger Habu had one hour and five minutes left.
At the first glance, Kisei Sato looked very troubled.
The essence of the modern shogi is said to "leave what can be left for later left for later." Recently in my business, I try to bear in mind this "prioritization" which I learned from "the essence of the modern shogi."
Well then, where would be the best place for me to be and what would be the best thing for me to do until the match ends? I would like to apply the "essence of the modern shogi" to this decision.
With my current shogi skills, I would not be able to understand what is really happening in the final phase of this difficult shogi even if i were watching it in the playing room, where we must remain silent (In the playing room, I cannot ask for others' commentaries or explanations, which I can in the waiting room). However, I would be able to "leave" "asking for others' explanations" "for later".
The only thing I should be doing at this moment would be to stay in the playing room, to stare at Sato's and Habu's faces, burning the atmosphere of this match clearly in my mind.
So I decided and since five p.m until the match ended at 7:16 p.m, during both players' expression of their comments in the room of the commentary show using a demonstration board, and until the following post game analysis ended at 8:40 p.m, I kept my eyes fixated on the two.
My impression about keeping watching the two until challenger Habu declared his defeat in a quite loud voice is as follows.
Even though I am not sure about the details of this shogi, with the ninety second move of +N-1h as a trigger, I observed Kisei Sato, who kept looking troubled and panting all the time, start to become filled with vigor.
On the contrary, there had been no spectacular change in challenger Habu's face until the match ended. However, after looking at the eighty eighth move of N*2g (Kisei Sato's Knight (桂）. Please refer to the 1st article), while pondering about the eighty ninth move spending eleven minutes of the remaining nineteen minutes, he was under deep consideration uttering some voice 'Ummm （ううーん）'.
Some change in the situation might have happened between the eighty eighth and ninety second moves. As I was thinking that I would ask about this after the match, I was sitting next to the board.
[The eighty eighth move △N*2g]
After challenger Habu declared his defeat, the two players move to the room of commentary show using a demonstration board in the hotel, where they appeared in front of fans and stated their after-match thoughts before the post game analysis.
Kisei Sato said,
"It had been difficult since the middle stage, and I had not been quite sure what the best moves were. I assume that the Promoted Bishop (馬) was fairly effective."
and challenger Habu said "That promoted Bishop was so powerful (手厚くて) that I did not have the slightest idea as to how I could attack. The 88th move of N*2g turned out to be very severe (厳しい)."
Kisei Sato, answering to Habu's impression, said "I thought that the knight drop on 2g was not the best move, but I did not know how to play otherwise..."
"Losing my Bishop expectedly had great impact later on. That hit hard on me. Without the Bishop, it became much harder to attack" said Habu.
"Losing Bishop（角）" refers to the ninety sixth move.
I would like to briefly add the result of the post game analysis (the turning point of the match). It should have been better for Sente to play R-1f instead of L-1f as the eighty sixth move. Even if he played L-1f, The ninety third move of G-4e instead of P-7d should have made the battle more complicated for a while. Those two are the decisive points of the match.
What struck me most impressive beyond those conclusions was that the instant the match ended the winner Kisei Sato and the loser Habu started to have appropriate distance from the the game record, which is the work they had created together, and to talk about it with sound critical spirits, as if they were a third party. It lasted until the end of the post game analysis. I was under the illusion as if I were watching European scientists lively discussing over their own work, with good critical spirits.
In the post game analysis, the two players just continue to say,
"It is fairly difficult"
"I do not understand"
"I am not so sure, but I gave it a try"
"There is no effective move"
"Difficult"
"It surely is difficult"
"I was wondering what I should do here"
"I could not find the defensive move"
"I suppose it is not right to drop Knight（桂） here"
"I could not calculate the durability of my king"
"I did not have even the smallest confidence"
.
.
The post game analysis made by the two was just a repeat of these words.
"The conclusion" which I put together in the previous page was surely made, but all that the two kept saying was, even though R-1f instead of L-1f or Px7d instead of G*4e were played, "It was nonetheless difficult."
The post game analysis must be the happiest time for both Kisei Sato and challenger Habu.
Watching the two from close by, I heartedly believed so.
There was no winners nor losers. There were only scientists questing for the truth.
The 79th Kisei Match, Game One
Date: 11th June, 2008
Location: Niigata city Takashimaya
Available Time: 4 hours each
Sente (first mover): Oza-Osho Yoshiharu Habu
Gote (second mover): Kisei-Kiou Yasumitsu Sato
1.P-7f P-8d 2.P-2f G-3b 3.G-7h P-3d 4.P-2e Bx8h+
5.Sx8h S-2b 6.S-3h S-3c 7.K-6h S-7b 8.P-3f P-6d
9.S-3g S-6c 10.S-4f S-5d 11.P-3e Px3e 12.Sx3e P-8e
13.P-2d Px2d 14.P*3d S-2b 15.Rx2d P*2e 16.Rx2e B*3f
17.R-2f Bx4g+ 18.B*3h +B-1d 19.P-1f S-4e 20.B-2g P*3f
21.P-1e P*2e 22.R-1f +B-2c 23.P*2d +B-1b 24.S-7g K-4b
25.K-7i G-5b 26.B-3h Sx3d 27.Rx3f S-4e 28.R-6f S-5d
29.N-3g P*3d 30.S-4f S-3c 31.Rx6d S-6c 32.R-6e Sx2d
33.S-5e R-8d 34.S5e-6f P-7d 35.P-7e P*6d 36.R-4e N-3c
37.R-4h S-3e 38.N-4e Nx4e 39.Rx4e S-3f 40.R-5e P-5d
41.R-5f S-3g+ 42.N*2d +B-2c 43.Nx3b+ Kx3b 44.B-2i N*2g
45.L-1f N-1i+ 46.B-3h +N-1h 47.Px7d Rx7d 48.R-4f +Sx3h
49.Gx3h +B-2d 50.R-4e P-6e 51.P*3c +Bx3c 52.Rx6e N-7c
53.Rx2e P*2d 54.R-2g P*6e 55.S*8c Px6f 56.Sx7d= Px6g+
57.Gx6g Sx7d 58.resigns
Gote won.
[The resignation diagram]
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